In each case they guide you to change the settings in the same way you would if the guide mode were switched off, helping you learn the effect of each setting and how to change it. The EOS T7i/800D features a series of simplified menu options. The relatively seamless behavior means you can shoot using the rear screen just as if it were a compact camera or smartphone. Historically this has been a weak point for DSLRs, with a significant drop in performance if you tried to use the rear screen for composing or shooting. What makes the T7i really stand out for casual shooters is how consistent the shooting experience is, regardless of whether you shoot through the optical viewfinder or in live view, using the rear screen. Photography under artificial light can sometimes be a little orange for our tastes and you'll need to move to 'P' mode if you want to override this.Ĭaption: The large number of buttons might make the T7i look daunting, but it behaves itself pretty well when left in auto. The camera produces JPEGs with excellent color and its image quality is competitive with any of its rivals, even as the light falls or you move indoors. Image stabilization and a patient subject did the rest. I forced the flash not to go off, then used exposure compensation to tell the camera that the image should be 0.3EV darker than it 'thought'. This is the camera working at the limits of what the kit lens will allow. Sadly there's no way to change this behavior, short of learning enough about the camera's settings to correct it, undermining slightly its easy appeal. And, if you turn the flash off, the camera will tend towards the use of quite slow shutter speeds rather than hiking the ISO up, risking blurred shots if your subject isn't fairly still. That said, the T7i can be a little bit too keen to use its built-in flash, which risks bleached-out images. The Rebel does extremely well in this respect, doing a great job of setting focus, exposure and white balance, meaning you can get good results by simply pointing and shooting. The most basic need for a family or casual photographer is an Auto mode that performs well. This isn't a big difference, and the optical performance is very impressive, but any move towards a darker lens will hold the camera back, at least a little, and represents a step in the wrong direction. However, it takes the unusual step of being 1/3EV darker than most of its rivals' lenses. This the standard range we'd expect to see a kit zoom cover and offers fast focus and image stabilization. The T7i gets bundled with the 18-55mm F4.0-5.6 STM IS. One slight disappointment is the adoption of a new 'kit' zoom lens. In this company it's really the T7i and D5600 that do most to accommodate both the beginner user and the photographer who's already overcome that first difficult slope on the learning curve the others, particularly the Fujifilm and Panasonic, work better if you already have a good idea of what you're trying to achieve. * Denotes AF systems combining contrast and phase detection Similarly, the Panasonic G85/G80 gives room to expand into, especially given its mix of touchscreen and button control and its 4K video capability. Fujifilm again focuses on the photographer looking for a camera to grow into with its X-T20. Sony, meanwhile, offers two mirrorless cameras to target these users: the a5100 is a simpler, more point-and-shoot orientated camera while the a6000 has a little more of its raw power on display, for those who have the time to learn how to use it. Nikon's D5600 is another 24MP camera that aims to offer a lot of capability in a relatively straightforward way. The Canon Rebel series (as it's known in North America) is the best-selling series of DSLRs in the World, but it's not without its rivals. It's these two audiences we'll focus on in this review. This should make immediately apparent who Canon is targeting with this camera: casual and family photographers buying their first DSLR and people who want to learn a little more about photography.
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